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Mermaids Trending

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For those amongst you who inhabit the "mer" community or subculture, what we're about to say is not new. But for the landlubbers who haven't tweaked to the fact that mermaids are trending... please read on.

Mermaids started to come out of the water – so to speak – last year. Firstly, the Mer Network mades its appearance—this is a community that discusses issues such as tail-making, monofins, pods, mer fashion, tail swimming, mer gatherings, mer photography and videography, marine biology and oceanography, modeling and performing, and going professional. Then several Facebook groups and pages popped up such as "Mermaids of Facebook", Mermaids are the Best", and "Mermaid's Lair". There are also mermaids galore with their personality-based pages who operate under both their human name and their mermaid name. Indeed, one of the most famous mermaids in the world is Australian born and who now resides in the USA. She is little known in her homeland but is hugely popular in North and South America. Her name is Hannah Fraser AKA Hannah Mermaid

We also saw the beginnings of mermaid blogging: two favs are "I Am a Mermaid" and "Cynthia Mermaid's Blog". The first mermaid event – MerCon and the inaugural World Mermaid Awards – were held in Las Vegas in August 2011 and attracted participants from around the USA and even some Aussies. Weeki Wachee held a mermaid camplast year at its Florida base, and Mid Atlantic Mermaids are hosting a Retreat in Virginia in 2013. And we mustn't forget Mer-Palooza, (you can see pretty pics here) which was held in August 2013 in Orlando, Florida, and which attracted all manner of mermaids from around the world.


We've also seen the launch of the strikingly sumptuous Mermaids and Mythology Magazine from the UK, and Tail Flip from the USA, and we have seen the rise of the mermaid entrepreneur—check out Shimmerbaby Mermaids and Mermaids Dreaming in Australia, and the mermaid art gallery The Mermaid Studioin the USA. There is also a new network starting soon called Mermaid Wishes (the website will be up in 2013) that helps charitable foundations provide mermaid experiences to children who may not be in the best of health. I have it on good authority that Mermaid Wishes already has a database of 30+ mermaids from around the world who will help in any way they can.

Mermaids have also featured prominently in media recently, Firstly, the Huffington Post, which is famous for trend-spotting, recently published a series of mermaid-themed articles. Brenda Peterson reported on Mer Palooza in "How to Become a Real Mermaid", and very clearly spells it out for us: 

"Mermaids are an alluring mythic tradition that calls its siren song to many women then—and especially now. In the last few years, mermaids are surfacing as a hot, new trend, rivaling vampires."

Huffington Post also covered, "Real Life Mermaids in Florida Aquarium (VIDEO)", and is also boldly asking "Mermaid Body Suits The Hottest Trend of the Season?"  It also published "Real Mermaid Facts"and we vaguely remember somewhere some time, asked whether Ariel (as in The Little Mermaid Ariel) had ever received plastic surgery.


The rise in the interest in mermaids is also paralleled with a rise in mermaid hoaxes such as the badly photoshopped mermaid skeleton that was supposedly dug up in Bulgaria of all places. You can see all the photographic evidence on this Dateline News article But most famous of them all was an Animal Planet documentary / mockumentary depending on who you speak to... also, you guess it, covered by the Huffington Post ("'Mermaids: The Body Found' on Animal Planet Argues Mythical Sea Creatures are Aquatic Apes" and the denial "Mermaids Don't Exist: NOAA Confirms 'No Evidence of Aquatic Humanoids Has Ever Been Found'. NOAA stands for National Atmospheric and Oceanic Administration, in case you're wondering.  The jury is still out on that one... For many mers out there, it's fact not fiction. You can find more on the Animal Planet speculative television show here




Orphan Works Revisited

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In 2008 we covered the proposed Orphan Works Bill in two blog posts: "Orphan Works Bill" which covered what it is and how it will affect writers and artists, and "Orphan Works Bill Update", which presents a speculative case study on how it could affect a visual artist. The Bill was temporarily abandoned by Congress in 2008 to the relief of many authors and artists but has just reared its ugly head again. The Australian Society of Authors (ASA) has also been on the case and has just reported a summary of its findings to Australian literary creators. Here's some of what the ASA has had to say:


  • Wednesday evening, US District Court Judge Harold Baer ruled that the mass book digitisation program conducted by five major US universities in conjunction with Google is a fair use under US copyright law. Under that program, Google has converted millions of copyright-protected library books into machine-readable files, duplicating and distributing the digitised books to university libraries. The universities pooled the digitised books into an online database organised by the University of Michigan known as HathiTrust.
  • We disagree with nearly every aspect of the court's ruling...


To read more about it – especially the section about books that were classified as "orphan works" when the author is still very much alive in Australia, check out The ASA Bulletin – October 2012. Seems like the entire idea is rather flawed and extremely suspect.

Mermaid Treasures 24

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I should have posted this a few days ago prior to Halloween come to think of it... This little Mer-Witch hanging ornament is an absolute delight. She has a sparkly black tail and an even more sparkly pumpkin handbag. This was a gift to me from one of our long-time readers – Jaysun – from Alaska. He sent a merman companion gift to Jozef as well, which we'll feature here soon. At the moment this ornament is hanging from the bookshelf in my office but once my mermaid room has had a makeover, I'll relocate her. Thanks, Jaysun, for your thoughtfulness. She's gorgeous.

Elf~Fin Leaks and Peeks 31

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What's caught the Waverin attention? Sorry... we can't tell you at this point of time until the story is officially released but we can tell you who's who. That's Fillayne, Lyban and Hyfus in the top pic, and Hyfus and Razbi in the bottom one. 

Just wanted to let you know that Jozef is on the home run in painting pages from Elf~Fin: Hyfus & Tilaweed #1, and these two panel art snapshots are amongst the last to be released here before we head to print. The remaining pages have too many plot spoilers so the pickings will be sparse and we'll be choosing very carefully from now on.  

Can't wait to bring you the work in totality!

Mermaids in Comics 4 – More Milly the Merry Mermaid [UPDATED 08/1/12]

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One of our blog followers – Terence – contacted us to let us know he had read a previous post on the "Milly the Merry Mermaid" comics that appeared in various UK girls' Annuals published during the 1960s and 70s. He kindly filled in some of the gaps in our knowledge and sent us several more pieces to share with you.

Apparently, "Milly the Merry Mermaid" ran in the weekly Princess Tina comic book. The first image is from 02/03/68. The sea horse image is from an issue dated 04/05/68. The third piece is from the very last issue released in 06/12/69. The strip reduced in size, and two weeks later Princess Tina absorbed the Penelope comic so Milly was phased out. She made a reappearance again in comic books in the 70s, as well as an in several Annuals and summer specials. Terence pretty much has the entire collection, and he mentions that the last one in his possession is 1980.

Thank you, Terence, we appreciate you opening the door to more Milly.





Mermaids in Comics 5 – Lucia and the Golden Mermaid

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 "Lucia and the Golden Mermaid" was a comics serial that ran in the weekly Princess comic book published in the UK in March and April 1961. Our resident Princess comic book collector and expert – Terence – forwarded these to us. We're hooked. We've got to find out what happened in the story.





World Premiere of Australian Graphic Novels Documentary

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The world premiere of feature documentary Graphic Novels! Melbourne! by filmmaker Daniel Hayward and comic book maker Bernard Caleo is happening in Melbourne later this month.

The film took a year to shoot and edit. It examines the amazing Melbourne comic book culture, and features Nicki Greenberg, Pat Grant and Mandy Ord. The film also features interviews with international comic book luminaries Scott McCloud, Paul Gravett, Dylan Horrocks and Shaun Tan. The soundtrack is by Martin Martini and the poster is by the incomparable Pat Grant. 

The film premieres on: 

Date: Thursday 22 November 2012
Time: 8.30pm for 8.45pm speeches and a 9pm film start
Place: Tyne Street laneway next to Readings bookshop 309 Lygon Street Carlton
(if it's a wet night, then the movie will move to Cinema Nova).
Price: FREE.
Bookings: Book through Readings on (03) 9347 6633 or events@readings.com.au

Mermaid Books 7 – The Mermaid and the Red Candle

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I completely forgot about this children's picture book title in my mermaid book collection. Someone gave me a copy when I was about nine or ten. I don't know whether it was new or secondhand but it is still in pretty good condition now. The book in question is called The Mermaid and the Red Candle. The author is Jane Carruth. The artist is Konosuke Iwamoto. It was published in 1968 by Paul Hamlyn. It's a story about an elderly couple who find and adopt a mermaid baby. She brings blessings and riches to their candle making business. It's also a sad story of greed and exploitation. It is beautifully written and poignant, and the illustrations are lovely. It's out of print now but we found that Amazon has contacts to sellers who have used copies. We advise you to track them down quickly before they sell out.




An Elf~Fin Message from Jozef to our Readers

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Plans and best intentions were that Elf-Fin was to be released by the end of 2012. Though all effort was directed towards this end, there needed to be a balance between the output of the painted Elf~Fin pages (with each page taking many days to complete… all without pay), and unrelated art output for paid jobs. So I'm sincerely sorry to those who had their hearts set on the 48 page first issue comic book to be released by this year's end. The production is still moving forward for a release in early 2013. I'm thankful for your support as we move towards the finish line for this issue.

Merry Xmas Merry Readers!

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We're signing off for the year and just wanted to wish you a very Merry Xmas and a safe and happy New Year! Talk to you again in 2013!

Valentine Black Mermaid Advocates "Languid Love"

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Happy 2013, readers! We're getting ready for a big year, and Jozef starts things rolling with his latest interpretation of our Valentine Black Mermaid – "Languid Love". We've just changed our product line up as well. Aprons are out and pyjamas, rugs and yoga mats are in, plus lots of other goodies. Check out our wares at Black Mermaid Boutique.





Mermaids in Comics 6 – The Mermaid

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This mermaid comic is a similar take to the comics story which we covered in Mermaids in Comics 2 – The Little Sea Maid, except that it is coloured and only one page instead of six. This piece comes from the Princess Comic (26/08/67) and is cited as being a being a story from a ballet. The comic comes courtesy of one our readers – Terence – who we thank for bringing it to our attention.


Dover Six Mermaids in Art Cards Box Set

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Our good friend Nick Nicolaou from Makeup Effects Group keeps us mer-satiated with lots of mermaid images and special deals. Here is one of the latter—Dover Publications has released six famous Pre-Raphaelite art cards for $1.50 plus postage. This is a great deal. Turns our that Dover also has lots of other mermaid goodies, including a whole bunch of mermaid paper dolls. Both Jozef and I LOVED paper dolls when we were kids so this was an exciting discovery for us because mermaid ones weren't available at that time. We suspect you'll rediscover your inner child with these offerings.


Aussie Comic Convention Circuit 2013 [UPDATED 07/02/13]

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Here's our regular calendar for Aussie comikers to plan their annual comics convention circuit. We've added a few more international ones, as word-on-the-street is that many Australians are going to be making more of a European push from this year. We'll also be adding to this list as we progress through the year because there are several more regional comics festivals coming up, which we are not allowed to disclose yet.  Stop by regularly if you can for further updates.

Angouleme International Comics Festival (Festival International de la Bande Dessinée d'Angoulême) (Angoulême, France): 31 January-3 February 2013 (various venues)
Sticky Institute Zine Fair (Melbourne, Victoria): 10 February 2013 (Melbourne Town Hall)
Oz ComicCon (Perth, Western Australia): 9 -10 March 2013 (Perth Exhibition Centre)
Oz ComicCon (Adelaide, South Australia): 16-17 March 2013 (Adelaide Showground)
WonderCon (Anaheim, California USA): 29-31 March 2013 (Anaheim Convention Center)
Supanova (Melbourne, Victoria): 12-14 April 2013 (Melbourne Showground)
Supanova (Gold Coast, Queensland): 19-21 April 2013 (Gold Coast Convention and Exhibition Centre)
Boston ComicCon (Boston, Massachusetts, USA): 20-21 April 2013 (Hynes Convention Center) 
Free Comic Book Day (World and Australia wide): 4 May 2013 (check with your nearest comic book store)
Chromacon Illustration and Comic Arts Festival (Auckland, New Zealand): 12 May 2013 (Aeotea Centre)
Comic Gong (Wollongong, New South Wales, Australia): 18 May 2013 (Corrimal Community Centre) – website still to launch
Phoenix ComicCon (Phoenix, Arizona USA): 23-26 May 2013 (Pheonix Convention Center, Arizona)
MCA Zine Fair (Sydney, New South Wales): 26 May 2013 (Museum of Contemporary Art)
Supanova (Sydney, New South Wales): 21-23 June 2013 (Sydney Showground, Olympic Park)
Supanova (Perth, Western Australia): 28-30 June 2013 (Claremont Showground)
Oz Comic-Con (Melbourne, Victoria): 6-7 July 2013 (Royal Exhibition Building)
AVCON (Adelaide, South Australia): 27-29 July 2013 (Adelaide Convention Centre) 
SMASH! (Sydney, New South Wales): 10 August 2013 (Sydney Convention Centre)
San Diego ComicCon (San Diego, California USA): 18-21 July 2013 (San Diego Convention Centre)
Small Press Expo (North Bethesda, Maryland USA): 14-15 September 2013 (Bethesda North Marriot Hotel and Conference Center)
GRAPHIC (Sydney, New South Wales): 4-6 October 2013 (Sydney Opera House)
New York ComicCon (New York City, New York USA): 10-13 October 2013 (Javits Center)
Armageddon Expo (Melbourne, Victoria): 19-20 October 2013 (Melbourne Exhibition Centre – TBC)
Australian Cartoonists' Association (ACA) Stanley Awards and Conference (Location TBC): November dates TBC (Venue TBC)
Supanova (Brisbane, Queensland): 8-10 November 2013 (RNA Showground)
Supanova (Adelaide, South Australia): 15-18 November 2013 (Adelaide Showground)

Please contact us on blackmermaid@blackmermaid.com if you want additional events to be added to this list.

Movie Mermaids 6 – Empires of the Deep 3D

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Okay... we haven't seen this movie yet because it's not out yet but we're bringing it to your attention so that you can be aware of it. Apparently  Empires of the Deep is a 3D action-advanture fantasy film, and is a US-Chinese co-production.

Angie Han from the Slash Film blog gives us the following commentary on the upcoming epic:  

Remember way back before Avatar came out, when news of its behind-the-scenes woes, budget headaches, and unoriginal plotline had some commentators predicting one of the most expensive flops in cinema history? And then how when it actually came out, audiences were so dazzled by the gorgeous world of Pandora that it actually went on to become the highest-grossing movie of all time? 
Yeah, that probably won’t happen with Empires of the Deep, a troubled and terrible-looking 3D epic that was $130 million and three years in the making. The Chinese-American co-production stars Olga Kurylenko as the the queen of the mermaids, or something, who gets embroiled in an underwater war between various sea creatures and sea monsters, or something. The trailer emphasizes fancy visuals over storytelling and character, but the visuals aren’t even that good to begin with. Watch the video after the jump.
You can read more at "'Empires of the Deep' Trailer: Here's What Three Years, $130 Million, and Olga Kurylenko Gets You".

The film has turned up on Rotten Tomatoes, albeit without a rating simply because it hasn't been released yet. However, 69% of the RT audience have said they want to see it. We don't know whether the motivation will be to indict it or to give it an honest go.

This case sort of reminds us of Waterworld, which was made in 1995 and starred Kevin Costner. It's set on post-apocalyptic Earth where the entire planet is underwater due to the melting of the polar ice caps. There's a wonderful underwater sequence where we see a drowned city. However, it's not a mermaid movie and indeed the closest we get to a mermaid is seeing that the Mariner character has gills. Both Jozef and I actually liked the film. It was certainly not as bad as some of the critics led us to believe. The box office exceeded the budget so it also wasn't the bomb that many said it was.  

In the case of Empires of the Deep, we prefer to find our for ourselves!


Elf~Fin: Hyfus & Tilaweed #1 Publication Date Announced

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To our many readers who have been following us through our Facebook page or who have subscribed to our Black Mermaid Mermerings ezine, we thank you for your patience. 

Here is the information you've been waiting for for a long time – our target publication date for Elf~Fin: Hyfus & Tilaweed #1 is 1 May 2013. It will contain 48-pages (fully coloured) of story and eight supplemental pages of additional material.

We need your help in the decision-making process so we can get you what you want.

Here are our thoughts and intentions...
  1. We would like to release the print series to a world-wide audience but need to go through Diamond Distributors to do so. There is quite a rigorous submission process involved in order for the title to be accepted, and we need to send in a completed comic book sample with the application. If Diamond takes on the book, then it would next need to be solicited to the retailers, In all likelihood, the book would probably not be available  until the fourth quarter of this year. We would probably get it printed in the USA or Canada and publish it on good quality stock in standard US comic book size. 
  2. To get the book out immediately to our readers, we would like to release it in a Direct Exclusive Treasury Edition. This is a larger format than the standard US comic book size and measures around 13" (33cm) x 8.5" (21.5cm). It would be printed on premium quality glossy paper stock with glossy card cover, and would showcase Jozef's sumptuous artwork to its best advantage. It will contain exactly the same material as the standard book but is oversize and the retail price would be higher than the standard version. The postage from Australia would probably be quite high because we anticipate that the weight would exceed 500gm. Furthermore, any US readers would incur an additional surcharge of around $9 per parcel (yes, we know this is singularly unfair but blame the terrorists and the postal security system. See: "Postage Rates to US Rise Over Security Fears"). This means, that the postage to US readers would probably match or perhaps even exceed the purchase price of the book.
So with full disclosure and transparency and all this information in mind, we put it to you. What do you want? 

Here are your choices:
  1. Purchase the standard comic book through a comics retailer
  2. Purchase the Direct Exclusive Treasury Edition through the Black Mermaid Productions / Elf~Fin websites
  3. Both.
Please vote on the poll in right hand column to give us your feedback. PLEASE ONLY vote once so we can get an accurate representation of demand and desire.

Thank you.

Real Life Royal Princesses Akin to the Little Mermaid

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A Sydney Morning Herald article by Julia Baird compares current day royal princesses with Hans Christian Andersen's famous mermaid, insofar as they need to give up something of themselves and become the centre of relentless scrutiny about their physical appearance in order to marry the prince of their dreams.
Kate Middleton knows her fate, and appears to have stared it in the eye and made a pact, like the Little Mermaid who promised to swallow her voice so she could walk on land and marry her prince. Her body though, has already been stretched by the rack of public inquiry to what must be at times an unbearable extent, despite her public composure. We are all acquainted with her breasts, bikinis, and bumps, thanks to editors who pay richly for snaps of her bare skin.

The article come out in support of UK author and twice Booker Prize winner Hilary Mantel who made a controversial speech recently at the British Museum that claimed the measure of a royal princess's worth was merely that of being a royal incubator and breeding machine. She was met with a vitriolic response and severely castigated on her own supposed lack of beautiful physical attributes. 

Feminists like Anne Summers have tagged the article on their social media pages as worthy of dissemination and debate. The well thought out opinion piece by Baird encourages us to approach the subject and enter the fray with common sense.

For most of our blog readers who have been brought up on a movie diet of Disney princesses (who have admittedly moved from passive players to complex heroines of note), we think this cultural exploration on the reality of today's real life princesses is something to explore. We personally think being a royal princess brings privileges but demands sacrifices such as loss of independence and privacy which are a big price to pay.

You can read the full Hilary Mantel speech on the London Review of Books website.
You can read Julia Baird's response "Listen, and let the woman speak" here.

Dart Revisited

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I (Jozef) recently received a Facebook post from a comics reader that started a conversation about the comics miniseries Dart, which Black Mermaid Productions worked on and which Image Comics published in the mid 1990s. 

The series revolved around Erik Larsen's famous female vigilante hero Dart who became the leader of Freak Force and used darts as her weapon of choice. Erik gave us a specific brief – he wanted a challenge on her name and indentify within the context of the story, as well as a bar-room brawl scene where she wards off her attackers by using the aforementioned darts. Everything else was up for grabs. 

The first story we pitched was sort of like a cross between Alias and Nikita (well before they came out on television), which featured Dart as a spy who was going to use her darts to assassinate a major baddie while he was performing in an opera or ballet under great security protocols (we're going to have to find the original source material to remember all the details). We do know that Dart wore her darts as fancy disguised earrings with her beautiful evening dress, which is why she sets off the metal detector but looked so innocuous that the guards let her through). 

Erik asked us to re-pitch because the first story didn't completely fit the brief and we came up with an alternative story which featured a team of fashionista superheroes called Blood Chic who help Dart resolve the issue of commercial identify theft and fight off the supervillains called Vogue Attack .

The series sold very well and we made the Wizard Top 100 but the story was met with a mixed response by Dart and die-hard superhero genre fans – some loved it and others disliked it intensely. And we get it! The story wasn't a spoof on superheroes as the dangers were very real, but our heroes didn't exactly stop the world from being destroyed – only a shopping mall with lots of innocent people so the stakes weren't as high as a Superman or Spiderman story. Our own characters were also a little out there, although we really wanted to honour Dart and Erik so we worked hard to get her psychological profile right through a series of flashbacks.

However, what was significant about the story – at least from our point of view – was that it introduced Deathgaze one of the first gay superheroes in comics of the day who unfortunately remains forgotten (that's him in the top cover at the extreme left hand side). The series also featured one of our signature mermaids but that's another story.  We invented backstories with a twist for each of the characters. We don't really know whether we will ever do anything with them in the future, as we want to focus on Elf~Fin, Mermist Seas and another property dear to our hearts. However, we think it's noteworthy to mention that gay superhero characters have only recently come out of the comics closet so to speak and have now been embraced by comics publishers and readers alike, which is pretty marvellous! (As an aside, we also featured a gay couple – Marron and Paffa – in WaveDancers).

To get back to the initial topic of conversation in the introduction to this blog post, we've been given permission to publish the abridged  Facebook conversation here by Stephane. We think it may be of interest to you. We've also published the Dart cover with all the girls he refers to in the conversation (Dart, who is copyright and trademark to Erik Larsen, is the centre figure with the blond hair and silver outfit).

February 2
Hi Jozef
Thanks for accepting my invite. The Dart comics you made is one of my favorite, I love how over-the-top gay and girly it is, completely different from the usual Image comics hehehe
Stephane
February 3
Hi Stéphane,
I'm glad you liked it in this way. So, what in Dart would you say was over-the-top gay and girly, I'm curious.
Thanks Stéphane.
Best,
Jozef

February 3
Stéphane
Hehe I hope you didn't take it in a wrong way
Well to answer your question, I loved your comics cover at the 1st sight because it looked so different from the other Image comics at that time, super colorful and the characters are super feminine like in a girl toy line.
Your women have plenty of girly details, detailed makeup and the outfits sure are very different from usual superheroes. And the men in the group, well... They sure don't look like your usual male superhero either! They look like girls toys too, but much more gay and sexy lol I totally loved your approach for sure!
I didn't see more about you at that time, without internet and everything.
But I was talking about your Dart comics to a friend yesterday, so that's how I searched and found you on facebook. I have yet to see your more recent work, but Elf-Fin sure looks amazing

Just a bit of nostalgia to give you an insight into our comics publishing history. We're really pleased that these stories are still conversation starters to this day.

PS Another piece of trivia about Dart is that the story featured several lines of dolls and toys. About ten years later, Jozef brought out his own line of fashion dolls. You can see them here on his Deviant Art page.

Mermaids in Comics 7 – The Devil from the Deep

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"The Devil from the Deep" is a seven-page short comics story, which featured in the vintage anthology Nightmare #2 published by Ziff-Davis Publications in 1952. The comic book, which had 36 pages in all, sold for 10 cents. The short story is about – SPOILER ALERT – a rabid cannibalistic mermaid who bewitches the fisherman who catches her on his line off the Florida Keys and then proceeds to eat his friends.

We personally love these little gems both in prose and comics formats. Julie has a great collection of short story anthologies called 50 Great Horror Stories, 50 Tales of Terror and others. No mermaid tales amongst those. Good to find a horror mermaid story in comics.

You can read the full story on Comic Book Plus – just scroll down the page and use the NEXT button and go to page 9.

And a big thanks goes out to Marcelo Baez for alerting us to this great little treasure.


Elf~Fin Poll Results

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We recently asked our readers to vote on a poll to determine whether they were interested in purchasing Elf~Fin: Hyfus & Tilaweed comics: (1)  solely in a US comics format which will be available through comics stores, (2) in a larger Treasury Edition which will be available directly through BMP, or (3) in both print formats.

52% of the respondents favoured the third option, 33% wanted the Treasury edition only, and 15% wanted the US standard size. What this means is that we're going ahead with the Treasury edition and the US standard size (pending approval from Diamond Distributors on the latter) so it's good news all round – a win / win / win situation!

Thank you to everyone for voting.
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